

Well, anyway, the D&P clearly didn't want our three-figure sum's worth of turnover. Or our goodwill. Perhaps they simply didn't like the look of us. Although it's not as if we were caked in mud or armed with musical instruments or attempting to smuggle the dog in.
We trundled to West Mersea and headed for the revamped Victory, which served us eight delicious Sunday lunches without any fuss but with plenteous veg, generous slabs of beef, lashings of horseradish and some excellent Yorkshire puds, all very nicely presented.

East Mersea, with my elder daughter and the dog. Low tide - not a drop of sea in sight!


Back at West Mersea as the sun went down.
A chilly evening after a windy day. Smell of woodsmoke wafting through the hollyhocks in the Lane. Halyards clanking. A piano playing in a tiny white cottage.



Set in Venice, 'The Bookbinder's Apprentice' is a hugely atmospheric tale, full of underlying menace and with a chilling ending. Having read it, I fear I'll never look at certain things in quite the same light ever again!
'The Bookbinder's Apprentice' is published in The Mammoth Book of Best British Mysteries. (For a list of the other stories in the anthology, click here and scroll down.)
You can read Martin's account of the awards ceremony at the Four Seasons Hotel in Park Lane - and see some photos - on his blog.

Apologies (but only very perfunctory ones) for two McCall Smith posts in a row, but ...
Unlike Susan Hill, I don't feel that something has been 'stolen from me' when I read attacks on McCall Smith's Botswana novels, though I agree with her that 'once you know a thing you can never un-know it, though you may forget it'. But the effect of researching the negative criticism was to make me read the most recent book in the series with all my political correctness sensors turned up to full whack and constantly to review my own responses to the characters and plotlines as I went along.
And I still don't see what's complained of; I really don't.
What does this tell me about myself? That I am right? Or simply that I'm white?
Or that I still haven't delved deeply enough into my cultural conditioning to see clearly enough that I have been hoodwinked?
I guess that for as long as McCall Smith writes these books and millions read them, I and the rest of those millions will either feel a faint underlying unease, or will simply get on and enjoy them regardless.


There's an interesting discussion here, with some well argued views by a black British writer who does find the books patronising bordering on racist.
On the other hand, the review and comments on the film version on Mshairi (poet and administrator of KenyaUnlimited and the African Women's Blog and thus, one might suppose, a reasonably credible source of African women's viewpoints) are much more encouraging:
"I truly enjoyed the movie, especially after the poor offerings from TV land lately. I laughed and cried (etc). Oh the language, the manners, the leisurely pace, the laughter, the beauty and pain. Now that is a good movie. Wasn’t it great to see the real Africa? Not poor, deprived, dying, begging continent. No starving and naked children, but the reality of our lives in Africa."
I'd love this last comment to be enough to allow me to relax and feel OK about my own response to the books, and indeed the film (and its forthcoming sequels). I shall try to let it be. But no doubt the background hum will continue, and come to the fore again from time to time. Sad but true.
But . . . perhaps, ultimately, no bad thing.

Opening this, the fifth title Alexander McCall Smith's 44 Scotland Street series, I resolved to keep my wits about me. Surely he could not have pulled it off again? Would there not be some sign that a long-running novel - published in daily parts in The Scotsman - couldn't possibly go on forever? Could a writer really sustain interest and invention using such a restricted palette without becoming formulaic or blasé?
Might not the scones be, in short, a little . . . stale?
Determined not to sink immediately into its warm depths and wallow as if in a delicious bubbly bath, I managed to keep a cool distance for at least five pages. And then, inevitably, I fell headlong.
He has, indeed, done it again. It's just as good as its predecessors. If anything, McCall Smith's observations of life in Edinburgh's New Town are sharper, more piquant than ever. I became as willingly entangled in the lives of his delightful cast of characters as in the previous instalments. And of course, like every hopeless addict - I just can't wait for more.
I confess I was a little surprised to see this book described on the cover as 'hilarious'. Hilarity is far too unsubtle a word for the humour found within its pages. Yes, there are occasional laugh-out-loud moments - usually when McCall Smith nudges over the line from 'wry' to 'wicked' (but, of course, only very gently so). How to judge whether one has married 'beneath' oneself, with reference to taste in paintings, for example. Or the 'correct' pronunciation of the place-name Gullane (and what those who say it differently might be revealing about themselves). Generally, however, the humour is of the warm rosy glow variety, rather than offering chortle a minute.
Since it is the myriad small incidents and deft observations which make The Unbearable Lightness of Scones such a joy to read, to quote even the briefest of passages would be a 'spoiling' exercise. Suffice to say that if you've enjoyed the previous four, then you will find here plenty to recognise and even more to surprise, including a wedding, a sudden unexpected death, further episodes in the saga of the blue Spode teacup, an illustration of the cathartic properties of men's moisturiser, a major discovery in the world of Art, and Cyril - the dog with the gold tooth - finally succumbing to a long-resisted temptation. There's also a guest appearance by a famous crime novelist, who solves a mystery, signs a form and goes on his way.
The usual suspects are all here, together with some interesting new characters, including a troubled antipodean psychiatrist and a Porsche-driving photographer. There are, naturally, some unresolved issues to whet our appetites for the next volume - among them precise fate of six puppies and the outcome of a precipitous proposal of marriage.
If you haven't yet encountered 44 Scotland Street, but have discovered the life-affirming characteristics of the author's Botswana novels, then you will find much to enjoy in this series too. It isn't strictly necessary to read them in chronological order, but I think that to do so would enhance the experience.
I have mentioned recently the sad demise of my trusty little pocket Canon Powershot, which has meant that I've been using my mobile phone to take photos this past week.Today I nipped out to buy a few bits and pieces in the nearest shop, and on impulse picked up a bottle of red wine as well. I packed everything into my nice 'no-plastic-carriers-for-me-thanks' hessian shopping bag, which I placed carefully on the floor while I paid. It toppled over in slow motion and the bottle hit the floor - not with any great force, but it nevertheless cracked clean in two and wine started gushing from the bottom of the bag. Apart from making a very big mess all over the place and causing rather a tailback at the till, no real damage seemed to have been done. The nice lady in the shop let me take a replacement bottle at no charge; she wiped and re-packed all my shopping in plastic carriers and gave me another in which to take home my dripping bag.
And guess what was at the bottom of the sodden bag all the while? Yep, mobile phone! By the time I reached home and realised this, it was making a curious hissing noise. I haven't had it very long and I couldn't even remember how to take the battery out! Needless to say, it is not feeling up to very much at the moment. I dropped one its predecessors in the bath once and, after 48 hours drying out, it was fine. So I'm hoping that this one will be feeling well enough to get back to work soon, once the hangover has worn off.
In the meantime, I am not only without my phone, but without my camera, my alarm clock, my phonebook and my calendar!
Someone I used to look after when she was a baby had a mastectomy last week. She has three young children.