Oh dear - far too busy with work right now to post anything relevant, but hope to pop something up this evening on the Better Late Than Never principle.


I read his Toast at one sitting a couple of Christmases ago and found it quite the most deliciously nostalgic, hilarious, bittersweet, wonderfully written book I'd read for ages. Perfect holiday fodder. I've been reading extracts from this new one in the Sunday papers and just can't wait to get stuck in, but am going to try to keep it for Tuesday's train journey. Pass the custard tarts.
If there's one thing I miss about commuting to London by train - and I think it is the only thing - it is the opportunity it afforded to read (relatively) undisturbed, for two whole hours a day. When I think how many books I used to get through back then, it makes my current monthly tally look decidedly paltry.
I see that it also has useful information at the back on how to recognise, inter alia, a telephone box, a post box and a policeman. This will be invaluable, I'm sure. A short list of peculiarly Scottish words includes 'sarnie', meaning . . . 'sandwich'. Gosh! Surely not? And show me, pray, the small outpost of the British Isles where sarnie does not mean sandwich. Bizarre. 


Dark and wet all day. The sky was a uniform charcoal grey. Then, magically, round about 6 pm a band of bright light appeared on the horizon, and some fluffy white clouds, and the scene was set for a spectacular sunset after all. Setting of the sun that we hadn't seen all day. I was too embroiled in the domestic chaos attendant upon the getting of supper, so I didn't get down there go go 'point, click'. But Elizaphanian did, and this is one of his. I freely confess, without the slightest contrition, to having stolen it without asking because (a) he did the same with one of mine the other day (!), and (b) it gives me an opportunity to reiterate my assertion that Sam's TBTM/A/E pics are wildly superior to my own (and more frequent, too), so if you want to know what it's like down on the beach on the Muddy Island, and I'm not in one of my obliging moods, that's the blog to visit (and there's lots more there than pretty beach pics, too).

And then there are the kind people who send me links to sites of interest. Last week I received an especially welcome one from one of my Northern Correspondents, alerting me to the unlikely feast of ampersands (a subject dear to my heart) on this shopping centre’s website, from which I have nicked some of the illustrations for this posting (but all in the interests of advertising, so I’m sure that’s OK, isn’t it? – please visit Gyle Shopping Centre straight away and tell them I sent you, and then I shan’t feel so bad!).
Another link that’s come my way is the one below, which takes you to a video of the making of this amazing balloon installation by Conor Nolan and David Wall – a couple of designers working and living in Dublin.
Watch the video (takes a little while to load, so be patient – it’s worth it).
I have some old wooden letterpress ampersands standing around the place – I love the feel of them as well as their appearance, but I’m also rather taken by the decorative possibilities of these plastic ampersands.




And finally, I just discovered the absolutely gorgeous word L'esperluette (O-level French vocab didn’t extend to such things – or, if it did, I’d forgotten). So much more mellifluous than ‘ampersand’, isn’t it?



The Wild Geese
by Violet Jacob (1863 - 1946)
'Oh, tell me what was on yer road, ye roarin' norlan
As ye cam' blawin' frae the land that's niver frae my mind?
My feet they trayvel England, but I'm deein' for the north—'
'My man, I heard the siller tides rin up the Firth o' Forth.'
'Aye, Wind, I ken them well eneuch, and fine they fa' and rise,
And fain I'd feel the creepin' mist on yonder shore that lies,
But tell me, ere ye passed them by, what saw ye on the way ?'
'My man, I rocked the rovin' gulls that sail abune the Tay.'
'But saw ye naethin', leein' Wind, afore ye cam' to Fife?
There's muckle lyin' yont the Tay that's mair to me nor life.'
'My man, I swept the Angus braes ye haena trod for years—'
'O Wind, forgie a hameless loon that canna see for tears!—'
'And far abune the Angus straths I saw the wild geese flee,
A lang, lang skein o' beatin' wings wi' their heids towards the sea,
And aye their cryin' voices trailed ahint them on the air—'
'O Wind, hae maircy, haud yer whisht, for I daurna listen mair!'
So off he went, enthusiastically, with one of the several editions still lurking in the family bookshelves (my first-ever copy I gave to someone whom I loved and lost) and yesterday he finished it, and was sad that it had come to an end, and wants to read it all over again (except that it's Readathon or Bookathon or somesuch at school, in which the emphasis is on quantity, not quality (or repetition) but since it is generally considered to be A Good Thing, we'll let it off).
Over on RandomDistractions, meanwhile, we have a post about geese arriving back in Devon and some interesting thoughts about the lessons that we can learn from the behaviour of these birds: geese as a model for corporate team building (not as bizarre as it might sound). This piece by Maureen inspired me to muse upon the fact that the early Celtic church in Western Scotland chose the goose as a symbol of the holy spirit - wild, free and very noisy - rather than the quiet and gentle dove adopted elsewhere.
While searching for an image of the stylised 'Iona Goose' design, I happened upon another blog, Eternal Echoes, and a recent post which delves much more deeply into the fascinating Goose-as-Holy-Spirit connection.
I downloaded a few tracks from iTunes earlier this year, to see how it sounded to my middle-aged ears (my vinyl version has long-since disappeared into a boot-sale somewhere or possibly still lives in the depths of my parents' garage). The answer was . . . 'very dated, but not without its charms'. You can listen to brief clips of all the tracks on Amazon, where you will also see that the digitally re-mastered CD version has amassed quite a healthy collection of five-star reviews from Listeners of a Certain Age. 