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John Cromartie and his girlfriend, Josephine Lackett, have an argument about marriage, during which Josephine retorts that Cromartie really should be an exhibit in the zoo. In an impulsive act of love scorned, that is exactly what he decides he will be. He moves into the Ape House at the London Zoo, in a cage between the orang-utan and the chimpanzee. Unsurprisingly, this doesn’t exactly solve any of the problems between the pair of lovers, but it does raise a number of interesting dilemmas.
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The dramatic withdrawal of Cromartie from both Josephine and the polite society to which he is accustomed (indeed from any form of society, save that of a wild cat who becomes his companion, and briefly, another man who moves into the next-door cage as the zoo seeks to extend the experiment and capitalise on the newfound popularity of its Ape House) highlight aspects of his character and of Josephine’s which neither had realised about each other, nor about themselves.
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The other two good reasons for reading A Man in the Zoo is the lovely woodcut illustrations by Garnett’s first wife, Ray, and the spare, understated grace of the writing.
The Vintage Classics edition I have also includes another novella, Lady into Fox, which I haven’t yet read, but . . . it’s on the list.
If you’re not familiar with the intricacies of the relationships within the Bloomsbury Group, there’s some interesting background on where David Garnett fits in (and it was complicated - weren't they all?) here .
The Vintage Classics edition I have also includes another novella, Lady into Fox, which I haven’t yet read, but . . . it’s on the list.
If you’re not familiar with the intricacies of the relationships within the Bloomsbury Group, there’s some interesting background on where David Garnett fits in (and it was complicated - weren't they all?) here .
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